Oysterband's John Jones is going back to his roots with his debut
solo CD, Rising Road. After 30 years with Oysterband, John has teamed
up with friends old and new to explore and re-invent some of the
classic traditional songs he loved in his youth, which stand alongside
several beautiful, self-written tracks.
The idea for the album came about when, on a short break from Oysterband
a few years ago, John toured alongside his friends Benji Kirkpatrick
(Bellowhead, Faustus) and Seth Lakeman. The collaboration
worked so well that a seed was planted. Four years later, Rising
Road was born. The album features contributions from Seth and Benji,
as well as Ian Kearey (banjo/dulcimer), Rowan Godel
(vocals), Sophie Walsh (harp), Dil Davies (percussion
and drums), Francois Deville (pedal steel guitar) and Alan
Prosser (guitars). Producer Al Scott added some more
musical colours wherever needed.
John has a great love of the British countryside, and he had always
felt that traditional songs go hand-in-hand with the landscape,
so he wanted to choose songs which reflect this: "A lot of
the songs I'm singing are traditional. I'm not a very urban animal;
I feel folk music to be rural and open. When I sing, I'm visualising
the story, and the landscape is a big part of that. Much of this
album is an imaginative retake on songs I've known for years. I've
tried to look at the traditonal songs very simply, and I've chosen
ones that have a story for me, a close attachment."
The album is more pared-down than the usual big, bold Oysterband
sound, with simpler, more understated arrangements. But this doesn't
mean that the tracks lack sophistication, as John still brings his
full range of influences to bear. The traditional song Polly
on the Shore, for example, gets a brilliant, slightly sinister
a cappella re-working which sounds more redolent of the American
south than the British countryside. "I had been listening to
some of Alan Lomax's American prison farm recordings, and that percussive
approach of the work song just seemed right."
While Rising Road contains seven traditional songs, including the
mellow, reflective Rocks of Bawn, the spare, poignant Newlyn
Town and the stirring, shanty-flavoured Fire Marengo,
there are also five new songs written by John. And, as with the
traditional tracks, "Some of the songs I've written for the
album have a real sense of place," he says. Amongst these is
Walking Through Ithonside, which reflects on exploring the
wild, untamed Welsh countryside where he lives. This re-connection
of the music and the landscape has been very important in the genesis
of Rising Road - the album was even given a short sneak preview
tour in the spring, which saw John WALKING from his home in the
Welsh borders to all the venues along the way, ending up at Oysterband's
Big Session festival in Leicester - a total of almost 200 miles.
The album's themes (and title!) were given full realisation in a
few weeks on the road, where fans, friends and fellow musicians
joined John for both the walking and the gigs. Part endurance test,
part completely mad idea, and part homage to the countryside he
loves, the tour really helped him to crystallise his thinking about
the new album.
"I've spent so much of my working life travelling, but it's
mostly been sitting in a tour bus. I'm forever looking out of the
window, following the shapes of the hills as they go past and wondering
what it would be like to be out there," John says. The tour
idea and album evolved almost as twin projects, and everyone involved
loved the experience so much that John hopes to do a similar tour
to promote Rising Road later in the year.
So after 30 years in music, why is this John's first solo album?
"The other members of the band have often gone off and done
separate things, but it's always been difficult for me as the singer,
as my voice is attached to the emotional weight of Oysterband's
music," John explains. "With the Rising Road project,
I've really enjoyed being able to express what I do and who I am
when I'm not fronting Oysterband."